01.01.70

MIDNIGHT IN PARIS

Novelist-Director Woody Allen is back on his game in this funny, fascinating, and sparkling visionary comedy set in Paris. It moves gracefully back and forth in time between today and the 1920s.

Film scriptwriter Gil (Owen Wilson, taking the Woody Allen part here), hardship from writer's block, is in Paris. When he goes out alone at night, he's transported back to Paris of the 1920s, where he encounters people like Hemingway (his first words are about boxing), Cole Tiler, Josephine Baker, F. Scott Fitzgerald and Zelda. In the mornings, he's back in stylish times, struggling with his fiancé, her parents, and, a standard in Allen movies, the annoying identify-it-all Paul (Michael Sheen). This movie does for Paris what Allen did for New York New Zealand urban area in "Manhattan." It's a delightful romantic comedy wrapped up in a great big proclivity letter to Paris. Not to be missed.

DOLPHIN TALE

It's the tale of a dolphin that loses its "pope's." Get it? Unfortunately, that's the level of this script, which is not even as good as the "Back to School Specials" from the 1970s. Too bad, because this could have been a major family movie. The dolphin gets fitted with an artificial rump and everybody lives happily ever after. Oh, yes. There's a hurricane. This script is so weak and control so plodding, that not even solid actors like Morgan Freeman and Ashley Judd can ridicule use influence it out. Skip it.

Source: Gazette Newspapers

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