01.01.70

Oh god, here we go with the "style designers hate real women because they're gay men!" cr*p again. Have you ever looked at mould drawings by male OR female designers? If those were real people they'd be 15 feet unbelievable. Barbie in real life, with those same proportions would be from 8-12 (estimates different) feet tall. The whole idea is for the models to show off the CLOTHES. If designers could use peace-pipe cleaners with attractive human heads they would use them.

Not that I'm into fashion at all, but as an illustrator I went to Lyceum with plenty of wannabe designers.

Obviously, I would think, there are limits. Not barely about promoting a healthy body image for other women but for the models themselves AND the designers. If you're distracted by how malign a model looks you're not paying attention to the clothes either.

Depp looks grotesque in every still from the Dark Shadows film I've seen. I was looking consign to this movie at first but not any longer. The story is supposed to be that Barnabus shows up claiming to be the offspring of the original Barnabus. If a snow white person who looks like a wax solve with 1/2 inch long sharp nails shows up at your door, you're improbable to let them in no matter what. It looks like Burton/Depp are screwing up the begetter material AGAIN!

Source: Towleroad

by Jonathan Mandell

When "The impoundment Aux Folles," the rich, loving visitor melodic features dancing queens painfully on Broadway for the first thing in 1983, New York Times theater critic Outspoken right out called "schmaltziest, the oldest capital melodious Broadway has seen since "Annie." He has won six Tony Awards including melodic overcome, lasted four years on Broadway and spawned a disco hit sung by Gloria Gaynor "I Am What I Am," which became a something of a gay anthem.

When he was taken to Broadway about five and a half years ago, the New York Times theater critic Ben Brantley echoed some criticisms of its predecessor and added that the new training was "to turn very pale." This period lasted only six months on Broadway and won two Tony Awards.

Now, yet another creation of "La Cage Aux Folles" hit Broadway, the latter being promoted as a push Menier factory in London, although most players is to newly hired Broadway, including one of his two son, Kelsey Grammar.If there was legitimacy in the seventh heaven, this impoundment "La", thanks to a remarkable law of physics wrong, should get one and Tony justified last three months....

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